Download PDF by Marsha Kinder,Tara McPherson,N. Katherine Hayles,Lev: Transmedia Frictions: The Digital, the Arts, and the

Editors Marsha Kinder and Tara McPherson current an authoritative selection of essays at the carrying on with debates over medium specificity and the politics of the electronic arts. evaluating the time period "transmedia" with "transnational," they express that the flow past particular media or international locations doesn't invalidate these entities yet makes us glance extra heavily on the cultural specificity of every mix. In elements, the e-book levels debates throughout essays, growing dialogues that supply diverse narrative debts of what's traditionally and ideologically at stake in medium specificity and electronic politics. each one half contains a sizeable creation by means of one of many editors.

Part 1 examines precursors, modern theorists, and artists who're protagonists during this discursive drama, concentrating on how the transmedia frictions and continuities among previous and new types may be learn so much productively: N. Katherine Hayles and Lev Manovich redefine medium specificity, Edward Branigan and Yuri Tsivian discover nondigital precursors, Steve Anderson and Stephen Mamber determine modern archival histories, and Grahame Weinbren and Caroline Bassett guard the open-ended mobility of newly emergent media.

In half 2, trios of essays tackle a number of ideologies of the electronic: John Hess and Patricia R. Zimmerman, Herman grey, and David Wade Crane redraw contours of race, house, and the margins; Eric Gordon, Cristina Venegas, and John T. Caldwell unearth database towns, transportable homelands, and digital fieldwork; and Mark B.N. Hansen, Holly Willis, and Rafael Lozano-Hemmer and Guillermo Gómez-Peña study interactive our bodies remodeled by way of surprise, gender, and color.

An helpful reference paintings within the box of visible media reviews, Transmedia Frictions offers sound old point of view at the social and political facets of the interactive electronic arts, demonstrating that they're by no means impartial or innocent.