
By Arne Lunde
ISBN-10: 0295990457
ISBN-13: 9780295990453
ISBN-10: 0295996862
ISBN-13: 9780295996868
Nordic Exposures explores how Scandinavian whiteness and ethnicity functioned in classical Hollywood cinema among and through the 2 international wars. Scandinavian identities may seem mutable and developed at moments, whereas at different instances they have been deployed as representatives of a vital, organic, and traditional class. As Northern eu Protestants, Scandinavian immigrants and emigres assimilated into the mainstream rights and merits of white American id with relatively few obstacles or stumbling blocks. but Arne Lunde demonstrates that faraway from easily manifesting a normative unmarked whiteness, Scandinavianness in mass-immigration the USA and in Hollywood cinema of the 20 th century might be hyperwhite, provisionally off-white, or no longer even white at all.
Lunde investigates key silent motion pictures, similar to Technicolor's The Viking (1928), Victor Sjostrom's He Who will get Slapped (1924), and Mauritz Stiller's resort Imperial (1927). The crises of Scandinavian international voice and the talkie revolution are explored in Greta Garbo's first sound movie, Anna Christie (1930). the writer additionally examines Warner Oland's lengthy occupation of Asian racial masquerade (most famously as chinese language detective Charlie Chan), in addition to Hollywood's and 3rd Reich Cinema's struggle over assimilating the Nordic girl celebrity within the personae of Garbo, Sonja Henie, Ingrid Bergman, Kristina Soderbaum, and Zarah Leander.
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Nordic Exposures: Scandinavian Identities in Classical Hollywood Cinema (New Directions in Scandinavian Studies) by Arne Lunde
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