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Get Hollywood's African American Films: The Transition to Sound PDF

By Ryan Jay Friedman

ISBN-10: 0813550483

ISBN-13: 9780813550480

ISBN-10: 0813550491

ISBN-13: 9780813550497

In 1929 and 1930, through the Hollywood studios' conversion to synchronized-sound movie construction, white-controlled alternate magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American movies" argues that the motion picture enterprise became to black musical functionality to either get to the bottom of technological and aesthetic difficulties brought by means of the medium of "talking images" and, even as, to attract the white "Broadway" viewers that patronized their so much profitable first-run theaters. Capitalizing on intellectual institutions with white "slumming" in African American cabarets and at the cultural linkage among renowned black musical kinds and "natural" acoustics, studios produced a chain of African American-cast and white-cast motion pictures that includes African American sequences. Ryan Jay Friedman asserts that those transitional motion pictures mirror contradictions inside of triumphing racial ideologies--arising so much sincerely within the videos' remedy of African American characters' judgements emigrate. despite how the movies characterize those offerings, all of them suggested intricate visible and narrative constructions of containment that have a tendency to spotlight instead of suppress historic tensions surrounding African American social mobility, Jim Crow codes, and white exploitation of black labor.

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Hollywood's African American Films: The Transition to Sound by Ryan Jay Friedman


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