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Haunting Bollywood is a pioneering, interdisciplinary inquiry into the supernatural in Hindi cinema that attracts from literary feedback, postcolonial reports, queer thought, heritage, and cultural reports. Hindi advertisement cinema has been invested within the supernatural because its earliest days, yet just a small section of those motion pictures were competently explored in scholarly paintings; this publication addresses this hole by way of concentrating on a few of Hindi cinema's least explored genres.

From Gothic ghost motion pictures of the Nineteen Fifties to snake movies of the Seventies and Eighties to state-of-the-art globally encouraged zombie and vampire motion pictures, Meheli Sen delves into what the supernatural is and the various modalities wherein it increases questions of movie shape, background, modernity, and gender in South Asian public cultures. Arguing that the supernatural is dispersed between a number of genres and continually in dialog with worldwide cinematic varieties, she demonstrates that it's a particularly malleable impulse that generally pushes Hindi movie into new formal and stylistic territories. Sen additionally argues that gender is a very accommodating level on which the supernatural rehearses its most simple compulsions; therefore, the interface among gender and style offers a very efficient lens into Hindi cinema's negotiation of the trendy and the worldwide. Haunting Bollywood unearths that the supernatural's unruly energies consistently withstand containment, whilst they partake of and infrequently subvert Hindi cinema's such a lot enduring pleasures, from songs and stars to delusion and melodrama.