
By Lee Marshall
ISBN-10: 0761944907
ISBN-13: 9780761944904
'Bootlegging is a great, provocative and hugely readable research of the excessive concept and occasional practices of song copyright and its transgressors. it really is so much fresh to learn a sociological research of a subject matter often left to attorneys and apologists. a necessary booklet for someone who desires to comprehend the modern track industry'
Simon Frith - Professor of movie and Media experiences, college of Stirling.
Bootlegs - stay live performance recordings or studio outtakes reproduced with out the permission of the rights holder - carry a famous place within the pantheon of renowned song. also they are a lot misrepresented and this attention-grabbing ebook constitutes the 1st complete size educational therapy of the subject.
By interpreting the centrality of Romantic authorship to either copyright and the track undefined, the writer highlights the mutual dependence of capitalism and Romanticism, which situates the person because the key artistic strength whereas not easy the commodification of artwork and self.
Marshall finds how the need for bootlegs is pushed through an analogous beliefs of authenticity hired through the valid in its copyright rhetoric and perform and demonstrates how bootlegs exist as an opposed yet useful part of an that does a lot to avoid them.
This publication may be of significant curiosity to researchers and scholars within the sociology of tradition, social conception, cultural reviews and law.
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Extra info for Bootlegging: Romanticism and Copyright in the Music Industry (Published in association with Theory, Culture & Society)
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Bootlegging: Romanticism and Copyright in the Music Industry (Published in association with Theory, Culture & Society) by Lee Marshall
by Mark
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